HistoryExtra
type: channel
link: https://www.historyextra.com
description: Home of Britain’s bestselling history magazine and award-winning podcast
date: 2026-01-11T15:01:03.000Z
update period: hourly
update frequency: 1
update base: 2000-01-01T12:00+00:00
items: From Churchill to Vietnam: protests that changed the world
items: In 1756, a young Englishwoman was taken hostage by Barbary pirates. This is her story
items: Keep calm and carry on singing: why Britons fell in love with opera during World War Two
items: From krakens to serpents: 5 fearsome sea monsters from history
items: Nero's doomed love affair: did a failed romance trigger his descent into madness?
items: Father Christmas v Santa Claus: the centuries-long battle for Britain's chimneys
items: George Washington is an American hero – so why was he the pride of Victorian England?
items: AI: good or bad for history? Our experts weigh in
items: The US 'voodoo' scare: why 19th-century racists spread fake news about Haiti
items: Hitler's war on words: how the Nazis used art to bolster their murderous regime

From Churchill to Vietnam: protests that changed the world
type: item
date: 2026-01-11T15:00:40.000Z
subject: General History
subject: Membership
subject: Period
subject: Civil rights
subject: Debate
subject: Historical events
description: With the police about to be given broader powers to tackle disruptive events, the right to protest is in the spotlight. Timothy Garton Ash and Katrina Navickas join Danny Bird to discuss the history of popular demonstrations
encoded: Danny Bird: What is a protest? What distinguishes it from a riot or a revolution? Katrina Navickas: A protest is often defined by law, making it a fluid and changeable term. In England and Wales, its meaning has evolved over time. The earliest legal definition dates to the 1714 Riot Act, which distinguished a riot from other forms of protest. The modern idea of a demonstration emerged in the 19th century alongside the rise of democratic movements. Protest came to mean people gathering publicly to make collective claims – a reflection of the growing concept of ‘the people’ and their role in politics. However, what counts as a protest still depends on context: the country, the circumstances and the legal boundaries of what is permitted in public spaces. Timothy Garton Ash: Historically, revolution was associated with violence, but modern protest is defined by nonviolent action. Think of Gandhi in India, the Civil Rights movement in the US, or People Power in the Philippines [in 1986, resulting in the overthrow of the Marcos regime]. The revolutionary events of 1989 in eastern Europe were particularly notable because they brought together nonviolence and revolution for the first time. In essence, protest is about people power – collective, peaceful demonstration as a means of change. What makes a protest ultimately successful? Is it timing, tactics, leadership or something peculiar to a moment in history? TGA: In the book I co-edited with Adam Roberts, Civil Resistance and Power Politics (OUP, 2009), we examined 18 cases over a century, from Gandhi to the more recent ‘colour revolutions’ in former Soviet and Yugoslav republics. One point is clear: protest alone is never enough. It requires favourable internal and external conditions to succeed. <img src="https://images.immediate.co.uk/production/volatile/sites/7/2026/01/WHA0173278webready-6200492-e1767782763339.jpg" width="1500" height="1000" alt="A black and white photograph of a large crowd of people, standing togeth…

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In 1756, a young Englishwoman was taken hostage by Barbary pirates. This is her story
type: item
date: 2026-01-09T15:00:12.000Z
subject: General History
subject: Membership
subject: Period
subject: Amazing lives
subject: Historical people
subject: Islam
subject: Pirates
description: Taken hostage by a Barbary ship’s captain in the 18th century, a young Englishwoman found herself fighting for her freedom in Marrakech. Adam Nichols introduces a brave captive who later wrote a book about her dramatic experiences
encoded: The Barbary corsair ship appeared suddenly on the horizon, bristling with cannon. Its decks swarming with armed men, it sliced through the waves at a clip that its quarry – the British merchant ship Ann – could not match. At that time, in the mid-18th century, such pirate attacks were violent, bloody affairs; if the Ann’s captain tried to resist, he would be risking the lives of his crew, his passengers and himself, and would likely see his ship sunk. He surrendered. The corsair captain swaggered aboard the British vessel without firing a shot, and surveyed his captives. He was one of the infamous Sallee Rovers operating out of Salé, on the Atlantic coast of Morocco, who sold any Europeans they captured into slavery. The captain ordered the Ann’s four passengers to be taken to his ship, along with the crew, who were chained up in the hold. One of the passengers was a young Englishwoman named Elizabeth Marsh, barely 21 years old. It is because of her that we know these details. She later published an account of her experiences: The Female Captive: A Narrative of Facts Which Happened in Barbary in the Year 1756, Written by Herself. The corsair attack occurred in August 1756, a few months after the beginning of the Seven Years’ War. Marsh’s father, an administrator for the Royal Navy, had moved his family from their home in Menorca to Gibraltar, which he considered safer. To further protect his daughter, he then booked her a berth on the Ann, which set sail for England in late July. Read more | Liquor, loot and death on the high seas: 5 things you (probably) didn't know about the history of pirates Marsh’s family aspired to be “respectable people”, and she had received a genteel education. The future planned for her was typical of young women of her position and era: to marry a well-to-do man and bear his children. Now, torn from that sheltered life, she faced a very different fate. As a young, attractive European woman, Marsh would have been a highly sought-after comm…

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Keep calm and carry on singing: why Britons fell in love with opera during World War Two
type: item
date: 2026-01-07T15:00:58.000Z
subject: Membership
subject: Period
subject: Second World War
subject: Historical events
subject: Second World War battles
subject: Soldiers
subject: Wartime Britain
description: As the conflict with Nazi Germany raged on, British tram drivers tuned in to Tchaikovsky and waitresses revelled in Wagner. But why? Alexandra Wilson explores the surprising Second World War obsession with opera
encoded: Glasgow, 1942. The Carl Rosa Opera Company was in town to perform Puccini’s Madama Butterfly. Tickets had been snapped up by local people – including many who didn’t really know what an opera was. The soprano Joan Hammond, who sang the title role that night, later recalled that there were always newcomers in the audience wherever the Carl Rosa performed, searching for something different to do – but also for some kind of transcendental escapism. Invariably, they cheered the singers to the rafters. Surprising though it may seem to us today, opera was hugely popular during the Second World War. This was part of a broader surge of interest among the British in the so-called high arts – a sudden and rather urgent desire to ‘become cultured’ and to enjoy the best that life had to offer – when every day might be your last. Guy Ramsey reported in the Daily Mail in 1943 that “every day in every way Britain’s musical and dramatic taste is becoming more and more ‘highbrow’”. Tram drivers were listening to Tchaikovsky, waitresses were revelling in Wagner, and operas were drawing large audiences at provincial theatres. This war, Ramsey wrote, was more personal than any before it, and felt closer to home. Serious times called for serious art, and popular variety shows no longer seemed in step with the national mood. <img src="https://images.immediate.co.uk/production/volatile/sites/7/2026/01/2X2FXR2webready-9f2accf-e1767623285427.jpg" width="1500" height="1000" alt="A black and white photograph shows a man in a cap with round glasses and a cigarette in his mouth sitting on one of many stools outside a theatre. In front of him to the right, a billboard advertises the Sadler's Wells Opera" title="Stools for hire by people queueing for Sadler’s Wells Opera Company performances at the New Theatre, 1943. Tickets started at just 1/6 (about £4 today) (Image by Alamy)" /> Workers’ playtime Opera had already enjoyed reasonably wide popularity in Britain during the interwar years. In Lond…

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From krakens to serpents: 5 fearsome sea monsters from history
type: item
date: 2026-01-02T15:30:11.000Z
subject: General History
subject: Membership
subject: Period
subject: Historical people
description: Sea monsters have haunted human imaginations for millennia. From the kraken to killer serpents, Prema Arasu explores what five mythical creatures reveal about our deepest fears
encoded: 1. Armed and dangerous The writhing tentacles of the kraken inspired horror and disgust Sea monsters have fired our imaginations – and chilled our blood – for as long as humanity has sailed the seas. The Babylonian epic Enūma Eliš, which dates back to at least 1200 BC, describes the creation of the world from two fearsome primordial beings: Apsû, the embodiment of subterranean fresh water, and Tiamat, the sea. Like the many mythical aquatic creatures that have occupied our dreams and our nightmares, Apsû and Tiamat reveal much about how the Babylonians saw the world, acting as projections through which their anxieties about nature could be expressed, examined and, perhaps, mastered. Fast forward more than a thousand years and, in Naturalis Historia (c77 AD), the earliest extant work of natural history, the Roman author Pliny the Elder argued that the largest animals found in the sea “exceed in size any of the terrestrial animals” because of the “superabundance of moisture with which they are supplied”. One such giant creature is the kraken, its origins lying in Nordic mythology and folklore. In his 1752–53 proto-scientific work The Natural History of Norway, Danish bishop Erik Pontoppidan described the “Kraken, Kraxen, or, as some world name it, Krabben” as an island-sized creature, “round, flat, and full of arms, or branches”. Alfred, Lord Tennyson was so energised by reports of this monster of the deep that, in 1830, he wrote a poem in its honour, describing an ancient, giant-armed creature slumbering “Below the thunders of the upper deep; Far, far beneath in the abysmal sea.” British naturalist Henry Lee offered a more rational perspective. In Sea Monsters Unmasked (1883), he stated that kraken sightings by sailors were most likely exaggerated reports of giant squid (Architeuthis dux), described a quarter of a century earlier by the Danish biologist Japetus Steenstrup. Even after that, though, kraken and other squid-like monsters proliferated in literature. Herma…

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Nero's doomed love affair: did a failed romance trigger his descent into madness?
type: item
date: 2025-12-29T16:00:12.000Z
subject: General ancient history
subject: Membership
subject: Period
subject: Historical people
subject: Life in ancient Rome
subject: Roman rulers
description: He’s reviled as a cruel tyrant who killed his own mother and fiddled while Rome burned. But was Nero’s descent into madness triggered by his failed romance with a former slave? Edward J Watts tells a story of murder, incest and political intrigue
encoded: It is difficult to feel empathy for the emperor Nero, a man who did such unquestionably terrible things that he has become a prototype for the monstrous Roman ruler. During his lifetime he was labelled a matricide, an arsonist and a persecutor of Christians who also killed his pregnant wife by kicking her in the stomach. After his death, these stories grew into terrifying legends about his cruel madness. By the Middle Ages, chroniclers even detailed a tale in which Nero commanded doctors to make him give birth. Fearing for their lives, the terrified doctors “made up a potion in which they put a frog and gave it to the emperor to drink”, while prescribing him a special diet that would cause his stomach to expand. When Nero vomited the animal out, he “commanded that the foetus be fed and kept in a domed chamber” as his imperial heir. Some manuscripts even featured an image of Nero on a birthing chair beside his frog-child to illustrate his “evil madness”. And yet it is not hard to imagine a different life for Nero. This is because, before Nero became a monster, he was a heartbroken boy prohibited from marrying Acte – his one true love. Family trauma The tragic history of Nero’s family made it all the more surprising that he found such a romantic partner. His mother, Agrippina, was the daughter of Germanicus – the man whom Rome’s second emperor, Tiberius, hoped would assume imperial power following his planned retirement. When Germanicus predeceased Tiberius, however, his wife and children became potential rivals and were ultimately arrested. Agrippina’s mother starved to death in captivity, while her brother took his own life by eating the mattress in his cell. Their fates taught the princess that real financial and political security came only from a strong connection to some devoted, powerful male figure. She married thrice, each time to a rich and powerful suitor. Her first marriage, which was celebrated in AD 28 when she was just 13 years old, joined Agrippina to …

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Father Christmas v Santa Claus: the centuries-long battle for Britain's chimneys
type: item
date: 2025-12-23T00:00:29.000Z
subject: General History
subject: Membership
subject: Period
subject: Children
subject: Christmas
subject: Debate
subject: Historical people
description: The true identity of the white-bearded, red-robed figure who fills children’s stockings at Christmas has long been debated. Thomas Ruys Smith sizes up the merry contenders
encoded: Tis the night before Christmas, when all through the house, not a creature is stirring… but someone is. While the household sleeps, a jolly visitor carefully places presents in stockings hung by the fireplace. After taking a sip of whatever tipple has been thoughtfully left out for him, he pockets a carrot and disappears up the chimney. With a tinkle of sleigh bells he disappears into the night with his faithful reindeer, a merry laugh echoing across the rooftops. It’s a familiar ritual – with one fundamental point of contention. Who do you think it was that brought you these presents? Are you a Father Christmas fundamentalist or are you a Santa Claus supporter? Each figure has his passionate partisans, and each is wrapped up with issues of national and regional identity. A recent YouGov poll of around 4,000 British residents suggested that the UK is split right down the middle on the topic – though Santa enjoyed a narrow lead by a couple of percentage points. What you may find surprising is that this isn’t a modern conundrum. In fact, the ongoing battle for seasonal supremacy has created a schism in British culture since the Victorian era. Despite what some Father Christmas traditionalists might think, Santa Claus is not some recent American arriviste. The forgotten history of the friendly rivalry between this pair of festive icons goes much further back, taking us on a transatlantic journey through popular culture to a time even before our modern celebration of Christmas was taking shape. Nick of time Let’s start at the beginning – or as close as we can get to it. The figure of Father Christmas is undoubtedly more venerable than Santa Claus – in English culture, at least. References to characters who served to personify the period of yuletide feasting and merrymaking can be traced back to at least the 15th century. But Father Christmas really emerged as a champion of the season when Christmas came under threat in Britain. He joined the fray in the midst of religio…

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George Washington is an American hero – so why was he the pride of Victorian England?
type: item
date: 2025-12-21T16:00:01.000Z
subject: General History
subject: Membership
subject: Period
subject: Historical people
subject: US presidents
description: He may be a symbol of US independence, but George Washington’s family tree is firmly rooted on the opposite side of the Atlantic. Sam Edwards visits the English towns and villages that the president’s ancestors once called home
encoded: In 1886 a remarkable discovery in Lancashire, England, shed important new light on what one newspaper called the “vexed question of the ancestry of George Washington”. The discovery came during restoration work at St Oswald’s Church in Warton, a small village in the north of the county overlooked by a rocky crag and an Iron Age hill fort. As workmen chipped away at some of the old plaster on the church tower’s exterior, they were amazed to uncover “the coat of arms and name of the Washington family”. The news was received in Lancashire and beyond with delight. Indeed, despite his central role in leading the American Revolution, George Washington had long been a popular figure in Britain. He was often praised by the British press for his citizen virtue and skills as a military leader, and his death in December 1799 was mourned on both sides of the Atlantic. On learning of his passing, some of the ships of the Royal Navy’s fleet even lowered their flags to half-mast as a mark of respect. Little wonder that the discovery of Washington’s family crest at Warton was greeted with such enthusiasm. Here at last, after many years of detailed genealogical research, was something definitive, something literally carved in stone. The coat of arms at St Oswald’s provided clear proof that the Washington family tree had roots in the Lancashire loam. The timing could not have been more perfect. The relationship between the US and UK governments was just then becoming increasingly friendly – a development the historian Bradford Perkins later termed the ‘Great Rapprochement’. This was a good time, in short, to discover (and proclaim) Washington’s ‘Englishness’, particularly because his stock in the United States was riding especially high. Only a couple of years earlier, a huge obelisk in his memory had been dedicated in the nation’s capital, which still dominates the city skyline even now. British enthusiasm for Washington persisted over the subsequent decades. In the early 20th centu…

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AI: good or bad for history? Our experts weigh in
type: item
date: 2025-12-10T09:00:39.000Z
subject: General History
subject: Membership
subject: Period
subject: Column
subject: Debate
subject: Holocaust
description: As artificial intelligence penetrates almost every aspect of our lives, six historians debate whether the opportunities it offers to the discipline outweigh the threats
encoded: “We must experiment thoughtfully, push back critically, and make the case that slow, humanistic thinking still matters” Artificial intelligence isn’t inherently good or bad. Like the printing press or the written word itself, AI is a force – and whether it enhances or undermines historical practice will depend on who uses it, how, and why. AI’s most obvious advantage is that it can process vast amounts of data much faster than your regular historian, which turns it into an incredible asset. The trick here is to use it as it was originally meant to be used – not to replace human interpretation but to identify patterns that humans might not notice and, thus, to enable us to come up with better, more nuanced questions. But it goes beyond that. AI is forcing historians to rethink what constitutes evidence, authorship and interpretation. In doing so, it is not just supporting existing historical methods, it’s helping evolve them. Though I am not worried that historians will be replaced by AI any time soon, there is a risk that indiscriminate use might flatten out the practice. Good history requires doubt, contradiction, ambivalence, even uncertainty, but AI models are designed to produce smooth answers even when the data is messy or the past is unknowable. Moreover, history isn’t just knowledge – it’s a method of knowing. If AI shortcuts the method, it threatens the discipline’s integrity. There is little doubt that AI will be part of historical research, but it is crucial that historians shape its use to enhance rather than undermine our craft. We should resist the urge to scale for scale’s sake, and instead use AI to deepen, not dilute, historical understanding. If we do that, and embed AI within the discipline’s values – critical thinking, reflexivity, contextual awareness – then historians will become central in answering the question of whether AI is good or bad for history. We must experiment thoughtfully, push back critically, and make the case that slow, humanist…

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The US 'voodoo' scare: why 19th-century racists spread fake news about Haiti
type: item
date: 2025-12-08T09:00:17.000Z
subject: General History
subject: Membership
subject: Period
subject: Historical events
subject: Slavery
description: From sexual orgies to Satan incarnated as a snake, lurid depictions of ‘voodoo’ in North America long titillated and shocked readers. As David G Cox explains, they were also wielded as justifications for racist oppression during the social and political upheavals of the 19th-century US
encoded: On 2 January 1893, the black American abolitionist and reformer Frederick Douglass delivered a lecture on Haiti to an audience in Chicago. It was widely alleged, he reflected, that the Caribbean republic was riddled with “voodooism, fetishism, serpent worship and cannibalism”, and that “little children are fatted for slaughter and offered as sacrifices to their voodoo deities”. Such claims, Douglass declared, were false. He told his listeners that, while serving as US minister (effectively, ambassador) to Haiti between 1889 and 1891, he found no evidence of ritual sacrifice, despite diligent investigation. By the time Douglass spoke in Chicago, the idea of Haitian ‘voodoo’ as a murderous cult was lodged in the American public consciousness. As he noted, the features of this myth would have been familiar to many. According to scores of white writers at the turn of the 20th century, ‘voodoo’ was an imported African religion devoted to the worship of Satan incarnated as a snake. ‘Voodoo’ ceremonies, it was claimed, consisted of frenzied dances, sexual orgies and the ritual sacrifice of animals or humans followed by the consumption of their bodies or blood. The priests and priestesses of this imaginary faith were said to be the real rulers of Haiti, holding all its citizens – from presidents to peasants – in the grip of terror. <img src="https://images.immediate.co.uk/production/volatile/sites/7/2025/12/GettyImages-556636225webready-f31fffd-e1765183494712.jpg" width="1500" height="1000" alt="A painting of a black man dressed in a suit with a small bow tie. He has short hair and a thick moustache" title="Ebenezer Bassett denounced claims that the black-led Caribbean nation was a hotbed of ‘voodoo’ cannibalism and human sacrifice (Image by Getty Images)" /> In 1901, claims about Haitian ‘voodoo’ coalesced in a widely reprinted newspaper report on the “demoniacal orgies” of this purported “devil’s cult”. Supposedly reproducing the findings of the famous American geologist …

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Hitler's war on words: how the Nazis used art to bolster their murderous regime
type: item
date: 2025-12-05T09:00:17.000Z
subject: Membership
subject: Period
subject: Second World War
subject: Fascism
description: Hitler and his acolyte Joseph Goebbels wielded propaganda as a potent weapon in the battle for German hearts and minds. Lisa Pine shows how posters targeted all sectors of society to promote prejudice and bolster support for party policies
encoded: FAMILY PLANNING The Nazis considered nuclear families to be the building blocks of a ‘pure’ German nation The family was exalted in Nazi ideology and propaganda as “the germ cell of the nation”. In the Nazi Party platform, a 25-point programme outlining their political goals, it was declared that: “The state must ensure that the nation’s health standards are raised by protecting mothers and infants.” This 1936 poster shows the Nazi eagle spreading its wings protectively over the valuable German family. Echoing the eagle, the father of the family has his arms around his wife and one of his children; the mother holds a baby in her arms, while a third young child smiles out at the viewer. “The NSDAP protects the national community” is the headline slogan, with further wording proclaiming that “national comrades” could turn to their local NSDAP group for help or advice. The Nazi Party did indeed provide assistance and counsel to families – provided that they were deemed ‘pure’ German, hereditarily healthy, and of good blood and character. OWNING THE AIRWAVES Encouraging universal uptake of radios, the Nazis hijacked broadcast media for propaganda purposes Radio offered a convenient way of streaming propaganda and speeches directly into homes – so, unsurprisingly, the Nazis were keen to ensure that as many Germans as possible had their own radios. Hence the Volksempfänger (‘People’s Receiver’), a range of low-cost sets developed by the government from 1933. “All Germany listens to the Führer with the People’s Receiver,” proclaims this 1936 poster, one of several designed to encourage take-up. The implication was, of course, that every proud citizen would be expected to buy a set and tune in to listen to Hitler. And the effort succeeded: by 1939, 70 per cent of German households owned a radio, creating a mass audience for the regime’s output. In 1933 alone, Hitler made at least 50 radio broadcasts. Communal listening was also encouraged, to heighten the emotional impact o…

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